Categories
Arts

Fu*king Censorship

They’re at it again. There’s a sector of our so-called “artistic community” who insist on operating strictly on terms that equate their freedom of expression to some school project approved by teacher and headmaster. Already when the Stitching case first came to light we had many a protest about “the death of expression” and mock funerals. J’accuse had taken a very clear position back then – this was a case of the law’s transient provisions needing a re-application and updating in accordance with the mores of society. What we also found obnoxious was the niggling need of our “artists” to obtain a “nihil obstat” from every authority before staging “provocative” pieces. In my not too humble opinion they missed the point completely. Provocative pieces HAVE to be staged without authority’s acquiescence. Take to the streets if necessary – under pouring rain in the midst of Valletta commuters declaim all the “fucks” you like and picture as many “vaginas and penises” as your might require to provoke.

Instead our artists will sit and weep in a corner and when they are not bemoaning the lack of funding for their social projects they will be telling us how all that they have to say and do is being suffocated by that behemoth called CENSORSHIP.

Enough I say. The Stitching appeal was based and framed within the context of the old laws. Why are we surprised that the court was consistent in upholding the ban? Isn’t that why the laws were changed in the end? Have things really remained the same? Is our artistic community suffering the pains of further censorship? Like hell they are.

Go ahead and stage the bloody piece.

 

Howl. Allen Ginsberg.

I saw the best minds of my generation destroyed by 
madness, starving hysterical naked, 
dragging themselves through the negro streets at dawn 
looking for an angry fix, 
angelheaded hipsters burning for the ancient heavenly 
connection to the starry dynamo in the machinery of night, 
who poverty and tatters and hollow-eyed and high sat 
up smoking in the supernatural darkness of 
cold-water flats floating across the tops of cities 
contemplating jazz, 
who bared their brains to Heaven under the El and 
saw Mohammedan angels staggering on tenement roofs illuminated, 
who passed through universities with radiant cool eyes 
hallucinating Arkansas and Blake-light tragedy 
among the scholars of war, 
who were expelled from the academies for crazy & 
publishing obscene odes on the windows of the skull,
who cowered in unshaven rooms in underwear, 
burning their money in wastebaskets and listening 
to the Terror through the wall, 
who got busted in their pubic beards returning through 
Laredo with a belt of marijuana for New York, 
who ate fire in paint hotels or drank turpentine in 
Paradise Alley, death, or purgatoried their 
torsos night after night 
with dreams, with drugs, with waking nightmares,
alcohol and cock and endless balls, 
incomparable blind; streets of shuddering cloud and 
lightning in the mind leaping toward poles of Canada & Paterson,
illuminating all the motionless world of Time between, 
Peyote solidities of halls, backyard green tree cemetery 
dawns, wine drunkenness over the rooftops, 
storefront boroughs of teahead joyride neon 
blinking traffic light, sun and moon and tree 
vibrations in the roaring winter dusks of Brooklyn,
ashcan rantings and kind king light of mind, 
who chained themselves to subways for the endless 
ride from Battery to holy Bronx on benzedrine 
until the noise of wheels and children brought 
them down shuddering mouth-wracked and 
battered bleak of brain all drained of brilliance 
in the drear light of Zoo,
who sank all night in submarine light of Bickford's 
floated out and sat through the stale beer after
noon in desolate Fugazzi's, listening to the crack 
of doom on the hydrogen jukebox, 
who talked continuously seventy hours from park to 
pad to bar to Bellevue to museum to the Brooklyn Bridge, 
lost battalion of platonic conversationalists jumping 
down the stoops off fire escapes off windowsills 
off Empire State out of the moon, 
yacketayakking screaming vomiting whispering facts 
and memories and anecdotes and eyeball kicks 
and shocks of hospitals and jails and wars, 
whole intellects disgorged in total recall for seven days 
and nights with brilliant eyes, meat for the 
Synagogue cast on the pavement, 
who vanished into nowhere Zen New Jersey leaving a 
trail of ambiguous picture postcards of Atlantic City Hall, 
suffering Eastern sweats and Tangerian bone-grind-ings and 
migraines of China under junk-with-drawal in Newark's bleak furnished room, 
who wandered around and around at midnight in the 
railroad yard wondering where to go, and went, 
leaving no broken hearts, 
who lit cigarettes in boxcars boxcars boxcars racketing 
through snow toward lonesome farms in grand-father night, 
who studied Plotinus Poe St. John of the Cross telepathy 
and bop kabbalah because the cosmos instinctively 
vibrated at their feet in Kansas, 
who loned it through the streets of Idaho seeking visionary 
indian angels who were visionary indian angels, 
who thought they were only mad when Baltimore 
gleamed in supernatural ecstasy, 
who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight street
light smalltown rain, 
who lounged hungry and lonesome through Houston 
seeking jazz or sex or soup, and followed the 
brilliant Spaniard to converse about America 
and Eternity, a hopeless task, and so took ship to Africa, 
who disappeared into the volcanoes of Mexico leaving 
behind nothing but the shadow of dungarees 
and the lava and ash of poetry scattered in fireplace Chicago, 
who reappeared on the West Coast investigating the 
F.B.I. in beards and shorts with big pacifist 
eyes sexy in their dark skin passing out incomprehensible leaflets, 
who burned cigarette holes in their arms protesting 
the narcotic tobacco haze of Capitalism, 
who distributed Supercommunist pamphlets in Union 
Square weeping and undressing while the sirens 
of Los Alamos wailed them down, and wailed 
down Wall, and the Staten Island ferry also wailed, 
who broke down crying in white gymnasiums naked 
and trembling before the machinery of other skeletons, 
who bit detectives in the neck and shrieked with delight 
in policecars for committing no crime but their 
own wild cooking pederasty and intoxication, 
who howled on their knees in the subway and were 
dragged off the roof waving genitals and manuscripts, 
who let themselves be fucked in the ass by saintly 
motorcyclists, and screamed with joy, 
who blew and were blown by those human seraphim, 
the sailors, caresses of Atlantic and Caribbean love, 
who balled in the morning in the evenings in rose
gardens and the grass of public parks and 
cemeteries scattering their semen freely to 
whomever come who may, 
who hiccuped endlessly trying to giggle but wound up 
with a sob behind a partition in a Turkish Bath 
when the blond & naked angel came to pierce 
them with a sword, 
who lost their loveboys to the three old shrews of fate 
the one eyed shrew of the heterosexual dollar 
the one eyed shrew that winks out of the womb 
and the one eyed shrew that does nothing but 
sit on her ass and snip the intellectual golden 
threads of the craftsman's loom, 
who copulated ecstatic and insatiate with a bottle of 
beer a sweetheart a package of cigarettes a candle and fell off the bed, and continued along 
the floor and down the hall and ended fainting 
on the wall with a vision of ultimate cunt and 
come eluding the last gyzym of consciousness, 
who sweetened the snatches of a million girls trembling 
in the sunset, and were red eyed in the morning 
but prepared to sweeten the snatch of the sun
rise, flashing buttocks under barns and naked in the lake, 
who went out whoring through Colorado in myriad 
stolen night-cars, N.C., secret hero of these 
poems, cocksman and Adonis of Denver-joy 
to the memory of his innumerable lays of girls 
in empty lots & diner backyards, moviehouses' 
 rickety rows, on mountaintops in caves or with 
gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station 
solipsisms of johns, & hometown alleys too, 
who faded out in vast sordid movies, were shifted in 
dreams, woke on a sudden Manhattan, and 
picked themselves up out of basements hung
over with heartless Tokay and horrors of Third 
Avenue iron dreams & stumbled to unemployment offices, 
who walked all night with their shoes full of blood on 
the snowbank docks waiting for a door in the 
East River to open to a room full of steamheat and opium, 
who created great suicidal dramas on the apartment 
cliff-banks of the Hudson under the wartime 
blue floodlight of the moon & their heads shall 
be crowned with laurel in oblivion, 
who ate the lamb stew of the imagination or digested 
the crab at the muddy bottom of the rivers of Bowery, 
who wept at the romance of the streets with their 
pushcarts full of onions and bad music, 
who sat in boxes breathing in the darkness under the 
bridge, and rose up to build harpsichords in their lofts, 
who coughed on the sixth floor of Harlem crowned 
with flame under the tubercular sky surrounded 
by orange crates of theology, 
who scribbled all night rocking and rolling over lofty 
incantations which in the yellow morning were 
stanzas of gibberish, 
who cooked rotten animals lung heart feet tail borsht 
& tortillas dreaming of the pure vegetable kingdom, 
who plunged themselves under meat trucks looking for an egg, 
who threw their watches off the roof to cast their ballot 
for Eternity outside of Time, & alarm clocks 
fell on their heads every day for the next decade, 
who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique 
stores where they thought they were growing 
old and cried,
who were burned alive in their innocent flannel suits 
on Madison Avenue amid blasts of leaden verse 
& the tanked-up clatter of the iron regiments 
of fashion & the nitroglycerine shrieks of the 
fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the 
drunken taxicabs of Absolute Reality, 
who jumped off the Brooklyn Bridge this actually happened and walked away unknown and forgotten 
into the ghostly daze of Chinatown soup alley
ways & firetrucks, not even one free beer, 
who sang out of their windows in despair, fell out of 
the subway window, jumped in the filthy Passaic, leaped on negroes, 
cried all over the street, 
danced on broken wineglasses barefoot smashed 
phonograph records of nostalgic European 
1930s German jazz finished the whiskey and 
threw up groaning into the bloody toilet, moans 
in their ears and the blast of colossal steam whistles, 
who barreled down the highways of the past journeying 
to each other's hotrod-Golgotha jail-solitude 
watch or Birmingham jazz incarnation, 
who drove crosscountry seventytwo hours to find out 
if I had a vision or you had a vision or he had 
a vision to find out Eternity, 
who journeyed to Denver, who died in Denver, who 
came back to Denver & waited in vain, who 
watched over Denver & brooded & loned in 
Denver and finally went away to find out the 
Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying 
for each other's salvation and light and breasts, 
until the soul illuminated its hair for a second, 
who crashed through their minds in jail waiting for 
impossible criminals with golden heads and the 
charm of reality in their hearts who sang sweet 
blues to Alcatraz, 
who retired to Mexico to cultivate a habit, or Rocky 
Mount to tender Buddha or Tangiers to boys 
or Southern Pacific to the black locomotive or 
Harvard to Narcissus to Woodlawn to the 
daisychain or grave, 
who demanded sanity trials accusing the radio of hyp
notism & were left with their insanity & their 
hands & a hung jury, 
who threw potato salad at CCNY lecturers on Dadaism 
and subsequently presented themselves on the 
granite steps of the madhouse with shaven heads 
and harlequin speech of suicide, demanding instantaneous lobotomy, 
and who were given instead the concrete void of insulin 
Metrazol electricity hydrotherapy psychotherapy occupational 
therapy pingpong & amnesia, 
who in humorless protest overturned only one symbolic 
pingpong table, resting briefly in catatonia,
returning years later truly bald except for a wig of 
blood, and tears and fingers, to the visible mad
man doom of the wards of the madtowns of the East, 
Pilgrim State's Rockland's and Greystone's foetid 
halls, bickering with the echoes of the soul, 
rocking and rolling in the midnight solitude-bench 
dolmen-realms of love, dream of life a nightmare, 
bodies turned to stone as heavy as the moon, 
with mother finally ******, and the last fantastic book 
flung out of the tenement window, and the last 
door closed at 4. A.M. and the last telephone 
slammed at the wall in reply and the last furnished room 
emptied down to the last piece of mental furniture, 
a yellow paper rose twisted on a wire hanger in the closet, 
and even that imaginary, 
nothing but a hopeful little bit of hallucination
ah, Carl, while you are not safe I am not safe, and 
now you're really in the total animal soup of time
and who therefore ran through the icy streets obsessed 
with a sudden flash of the alchemy of the use 
of the ellipse the catalog the meter & the vibrating plane,
who dreamt and made incarnate gaps in Time & Space 
through images juxtaposed, and trapped the 
archangel of the soul between 2 visual images 
and joined the elemental verbs and set the noun 
and dash of consciousness together jumping 
with sensation of Pater Omnipotens Aeterna Deus 
to recreate the syntax and measure of poor human 
prose and stand before you speechless and intelligent 
and shaking with shame, 
rejected yet confessing out the soul to conform to the rhythm 
of thought in his naked and endless head, 
the madman bum and angel beat in Time, unknown, 
yet putting down here what might be left to say 
in time come after death, 
and rose reincarnate in the ghostly clothes of jazz in 
the goldhorn shadow of the band and blew the 
suffering of America's naked mind for love into 
an eli eli lamma lamma sabacthani saxophone 
cry that shivered the cities down to the last radio 
with the absolute heart of the poem of life butchered 
out of their own bodies good to eat a thousand years.
What sphinx of cement and aluminum bashed open 
their skulls and ate up their brains and imagination? 
Moloch! Solitude! Filth! Ugliness! Ashcans and unob
tainable dollars! Children screaming under the 
stairways! Boys sobbing in armies! Old men 
weeping in the parks! 
Moloch! Moloch! Nightmare of Moloch! Moloch the 
loveless! Mental Moloch! Moloch the heavy 
judger of men! 
Moloch the incomprehensible prison! Moloch the 
crossbone soulless jailhouse and Congress of 
sorrows! Moloch whose buildings are judgment! 
Moloch the vast stone of war! Moloch the stunned governments! 
Moloch whose mind is pure machinery! Moloch whose 
blood is running money! Moloch whose fingers 
are ten armies! Moloch whose breast is a cannibal dynamo! 
Moloch whose ear is a smoking tomb! 
Moloch whose eyes are a thousand blind windows! 
Moloch whose skyscrapers stand in the long 
streets like endless Jehovahs! Moloch whose factories 
dream and croak in the fog! Moloch whose 
smokestacks and antennae crown the cities!
Moloch whose love is endless oil and stone! Moloch 
whose soul is electricity and banks! Moloch 
whose poverty is the specter of genius! Moloch 
whose fate is a cloud of sexless hydrogen! 
Moloch whose name is the Mind! 
Moloch in whom I sit lonely! Moloch in whom I dream 
Angels! Crazy in Moloch! Cocksucker in 
Moloch! Lacklove and manless in Moloch! 
Moloch who entered my soul early! Moloch in whom 
I am a consciousness without a body! Moloch 
who frightened me out of my natural ecstasy! 
Moloch whom I abandon! Wake up in Moloch! 
Light streaming out of the sky! 
Moloch! Moloch! Robot apartments! invisible suburbs! 
skeleton treasuries! blind capitals! demonic 
industries! spectral nations! invincible mad 
houses! granite cocks! monstrous bombs! 
They broke their backs lifting Moloch to Heaven! Pave-
ments, trees, radios, tons! lifting the city to 
Heaven which exists and is everywhere about us! 
Visions! omens! hallucinations! miracles! ecstasies! 
gone down the American river! 
Dreams! adorations! illuminations! religions! the whole 
boatload of sensitive bullshit!
Breakthroughs! over the river! flips and crucifixions! 
gone down the flood! Highs! Epiphanies! Despairs! 
Ten years' animal screams and suicides! 
Minds! New loves! Mad generation! down on 
the rocks of Time!
Real holy laughter in the river! They saw it all! the 
wild eyes! the holy yells! They bade farewell! 
They jumped off the roof! to solitude! waving! 
carrying flowers! Down to the river! into the street!
Carl Solomon! I'm with you in Rockland 
where you're madder than I am 
I'm with you in Rockland 
where you must feel very strange 
I'm with you in Rockland 
where you imitate the shade of my mother 
I'm with you in Rockland 
where you've murdered your twelve secretaries 
I'm with you in Rockland 
where you laugh at this invisible humor 
I'm with you in Rockland 
where we are great writers on the same dreadful typewriter 
I'm with you in Rockland 
where your condition has become serious and 
is reported on the radio 
I'm with you in Rockland 
where the faculties of the skull no longer admit 
the worms of the senses 
I'm with you in Rockland 
where you drink the tea of the breasts of the 
spinsters of Utica 
I'm with you in Rockland 
where you pun on the bodies of your nurses the 
harpies of the Bronx 
I'm with you in Rockland 
where you scream in a straightjacket that you're 
losing the game of the actual pingpong of the abyss 
I'm with you in Rockland 
where you bang on the catatonic piano the soul 
is innocent and immortal it should never die 
ungodly in an armed madhouse 
I'm with you in Rockland 
where fifty more shocks will never return your 
soul to its body again from its pilgrimage to a 
cross in the void 
I'm with you in Rockland 
where you accuse your doctors of insanity and 
plot the Hebrew socialist revolution against the 
fascist national Golgotha 
I'm with you in Rockland 
where you will split the heavens of Long Island 
and resurrect your living human Jesus from the 
superhuman tomb 
I'm with you in Rockland 
where there are twenty-five-thousand mad com-
rades all together singing the final stanzas of 
the Internationale 
I'm with you in Rockland 
where we hug and kiss the United States under 
our bedsheets the United States that coughs all 
night and won't let us sleep 
I'm with you in Rockland 
where we wake up electrified out of the coma 
by our own souls' airplanes roaring over the 
roof they've come to drop angelic bombs the 
hospital illuminates itself imaginary walls collapse 
O skinny legions run outside O starry
spangled shock of mercy the eternal war is 
here O victory forget your underwear we're free 
I'm with you in Rockland 
in my dreams you walk dripping from a sea-
journey on the highway across America in tears 
to the door of my cottage in the Western night

 

Categories
Politics

Anosognosia

Hoi Polloi (1935 film)
Image via Wikipedia

It means “you don’t know what you don’t know” and it is a perfect starting point to elaborate on the discussion provoked by my last article on the Indy (Nolens Volens). It turns out that I dared criticise the uncriticiseable and that barring a few more moderate reactions the gist of most comments would be “non sparare sulla croce rossa”. Let us see what sparked off the anger at my criticism and why – as Matt put it – both sides could be saying the same things in different ways.

1. J’accuse never condoned censorship

Let’s get this out of the way. It should by now be very clear that the line taken by this blogger on the current state of affairs regarding freedom of expression and, more particularly, the laws on censorship is one that stands firmly on the side of those who believe that our country is going through one hell of an anachronistic phase. The Stitching judgement and the inability of politicians to legislate clearly in areas where the law seems to leave a lacuna have been criticised extensively in the our writings. I canot understand why I even have to explain that part of the equation. In case it is not clear my personal position on censorship is that if it has to exist it should be in the form of classification and never in the form of outright banning.

Incidentally I also have gone on record confirming the right of extremists to express their sick (sic) ideas in public. The content of the rhetoric must be countered, if needs be, with more rhetoric and not with gagging. Criminal law would do the rest of the job: e.g. you can express your hatred of other races as much as you like (stupid, ignorant and neanderthal as you may sound) but once you incite people to violence then don’t hide behind the “freedom of expression” the moment the prison door shuts behind you. Ugly racist bigots exist. We need to be shocked with the truth not to be protected from it.

2. The hoi polloi, the spoudaios and the average man in the street

DF repeated in so many words what I have touched upon already. Xarabank is successful, village feasts and their petards still top popularity lists and Lou Bondi is considered to be an excellent investigative journalist. It should come as no surprise then that when a law court such as the First Hall Civil Court examines how the man in the street could be affected by watching a performance of Stitching it “gets it all wrong”. Let me stick my neck out again and risk being called an intellectual snob – is the law unjustified in protecting the current standard of education (for want of a better word)? If the judge sitting on a bench is to examine how the average man in the street would interpret Stitching is he to be blamed if he sees the average man as taking a dramatic metaphor literally? Is the board of censors?

Chris  hit the nail on the head from a more practical perspective:

If I may (as usual) see it from the book publishing perspective: what do you expect of a country where arguably the best piece of Maltese literature written in recent years sells a maximum of 1,000 copies, in so doing practically reaching market saturation? I mean, surely the easiest, most hassle-free, Pontius Pilate way of ’supporting creativity’ in Malta would be to spend Eur10- and buy a copy of an amazing book. If less than 1,000 ppl bothered to do even that (and that’s including the assorted freebies, competition prizes, and purchases ‘tal-obbligu’ by extended families and ex-girlfriends), do you expect a 1,000 ppl to bother to turn up for a march? Or, in your desideratum, participate in some massive display of subversiveness?

Are we intellectual snobs, or as I like to call ourselves “wankellectuals” (constantly amused by mental masturbation – incidentally I have a PC term for the ladies among you – “cliterati”), when we decide that +/- 1,000 people is the maximum threshold of intelligentsia? Where does all this take us?

3. Artists of the Country Disaggregate!

The assaults on the freedom of expression have exposed, once again, a serious lacuna in this country. We are in the process of discovering Maltese “anosognosia”. We are learning about how much we do not know and how far we are from knowing. Raphael may rant all he likes about his pet pickle with students “who only protest when their pocket is hurt” (was not that a big indicator of pleasures yet to come 15 years ago?) and about how unfair of me it is to shoot on the Red Cross (not in so many words) because a bunch of University students got their chance to traipse up Republic Street with a megaphone and a coffin. Sure there is nothing wrong in this graffiti-ist reaction. I thought the same way when I convinced fellow SDM members to join Graffitti on a protest against the visit of Li Peng in Malta (I wish I could find a photo of the 20+ students who turned up to be kicked away by the police). Would I be too patronising if I said “now, now of course it makes an impact – if anything it gives MaltaToday an excuse of something to record on video” ?

That was not my point though was it? I could easily be drawn into a list of comparisons as to what makes an impact and what does not. Apparently very little does make an impact outside the formations of the PLPN power circle and unfortunately making a splash within those circles requires the big “V” word : Votes. So was I too harsh when I said that the protesters are molly-cuddled (sic) into a way of protesting/complaining that is in full conformity with the state of how things are run? Of course I was. Purposely so.

On the other hand, I’m sorry if I missed the graffito about the pope (darn) but if that is our answer to Banksy then something must be missing somewhere. We need a counterculture that gives the upcoming youth (who are still more worried about their stipend than whether they use it to buy tickets to Shakespeare at the Argotti) an alternative way of expressing their preference. Before we take the coffin to Valletta and blame the judge for showing us (mistakenly, in our way of thinking) that our society still believes that it needs to be “protected” from new ideas (sad really to describe them as new) why don’t we explore what is keeping the droves firmly stuck to Xarabank and believing in the Gospel of Bondiplus and away from the ideas behind Realtà and Stitching.

This is a country where people would presumably be shocked by a moral play bringing into question issues such as the holocaust but where 87% of respondents on an online poll would send immigrants back to Human Right Haven Libya on a boat.

4. Apologia

To conclude, I see your points – Raphael, Chris, DF, Danny, Matt and the silent ones (sono veggente) – but I stand by the points I made. Questions are being asked of our society and I believe that all parts – including the artists and wankellectuals – need to be preparing a strong case for their future role in society. Carrying coffins into Valletta may be alright for the PR (and for the footage) but it does nothing to challenge the equation.

P.S. Spare me the bullshit of “komdu int il-Lussemburgu”. I don’t know why I bother answering it but in any case before you even think it, just think – for one second – that if that statement were really true why the hell would I be bothering AT ALL?

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Categories
Articles

J'accuse : Nolens Volens

Art is not dead. The Front Against Censorship (FAC) may parade along Republic Street in a make-believe funeral, along with the usual suspects and hanger-on politicians, proclaiming that Art with a capital “A” is henceforth to be considered defunct and that the muses shall muse no more. They may paint the words “Art is dead” along the length of the coffin carried solemnly to the beat of the drums and the roar of the megaphone, but what they profess is a lie.

Art is not dead. It is alive and kicking in all its forms – from the amateur to the mediocre to the professionally entertaining. Whether it is to be seen prostituting itself in exchange for monetary tokens of appreciation, or whether it spontaneously erupts from the pen, the voice or the flash of one who has just been visited by the aforementioned muses, it continues in its existence quite happily and oblivious to all the fuss being made about its very own death.

Last week’s procession of the dozens (I am guilty of not attending but not for the same reasons as John Attard Montalto MEP) only contributed to the general theatrical air surrounding the whole issue of “censorship v expression” and risked becoming another caricature in the running saga. The Front has come up with a list of instances when art and expression have supposedly been on the wrong end of the long arm of the law. They range from the banning of biblical figures during carnival to various photo shoots being called off (remember the model in a cemetery?) to the infamous instances of Realtà and Stitching.

It’s now official – the Front has become a full-fledged whingeing member of this molly-cuddled pseudo-democracy. Theirs is not a reaction of artists angered by risible instances of conservative hypocrisy but the reaction of brainwashed citizens who actually believe that a coffin and a couple of megaphones is what it takes to get the dominant elements of our society to wake up and smell the coffee. In this country, where counter-culture translates into simply being a normal 21st century cosmopolitan person, our “artists” have chosen to abdicate their responsibilities.

‘Opera morta’

I shall not pretend for one moment to be able to define art. What I do believe is that in times of societal poverty and intellectual blandness, society sub-consciously depends on its reserve of artists and intellectuals for inspiration for change. Rarely has society welcomed artists and intellectuals with open arms – rather, it has more often than not kicked them down and attempted to silence them. On the other hand, those artists who have been trampled upon and shunned did not congregate in the middle of the main thoroughfares of Europe to protest “It’s not fair” but preferred to use their art to expose the hypocrisy of their very persecutors. Action. Reaction.

Not in Malta though. My suggested choice of action for the artistic fraternity would have been a self-imposed nationwide moratorium on the arts. No more plays by actors, no more songs to be sung and no more paintings to be exhibited (continue in this vein). A silent veil would be drawn over the whole works as the supposed audience is starved of such outlets of expression. For if the Civil Court – when assessing a play from the point of view of a reasonable man – is unable to grasp concepts such as suspension of reality, metaphors and the very essence of representative art, then it is not art that is dead but the very spectators that have slipped into some sort ofpermanent coma.

The FAC should not be angry at the “authorities” (even in their wide definition of the term that includes private art galleries) but should get busy urging artists to embark on a nationwide awareness campaign of what art is about and why it is an integral part of the soul of society. They should be provoking the man in the street to think himself out of the self-imposed rigidity and vacuum bubble. Rather than writing eulogies on Art’s tomb, they should be making the sorts of noises (or silences) that bring the current situation to everyone’s attention – using the very medium whose death they are supposed to be lamenting. My idea of a moratorium is only one way of making the right impact. When I bounced that idea off some friends they reacted typically: “Who would notice?” Would anyone notice that the artists have gone on strike? Is our situation that dire?

Willy-nilly

It all boils down to the “audience” or rather to the citizens that make up our Republic. They are citizens brought up on the Myth of Saint Paul, the Bedtime Story of Count Roger, the Saga of the Great Siege and the Narrative of Malta – Blitzed but Not Beaten. Our tiny nation has had its defining moments that were then cemented with the musical chair moments of Integration – Independence – Republic – Freedom – European Union Membership. We read the story line convinced that, like the Israelites, we too are the chosen people and that fate will inevitably look favourably upon us and that everyone and everything in the world will owe us a living because we are after all the islands where civilisation practically kicked off – how else would you explain the Neolithic temples?

Try to look back at the narrative again and introduce one new element – inevitability. Think of every step as having been inevitable – that it would have occurred with or without, and not thanks to, the inhabitants of the time. Saul of Tarsus or no Saul of Tarsus, we would still have had a couple of hundred years as a mostly Muslim people and there is absolutely nothing wrong with that. Roger was the last of many of Tancred’s sons scrambling for some territory, and although the story of the Great Siege would make for a lovely Guy Ritchie film it would not be the last of its kind.

There were similar perils to “Christendom” faced in Vienna and Buda, and the Ottomans only turned away because they got distracted elsewhere. Meanwhile “Christian” Europe – seeing another day and another Hail Mary thanks to the valiant Maltese (no doubt) – would soon be immersed in a fratricidal war that would render any effects of La Valette’s last stand hugely inconsequential (the Thirty Years War pitting Christian versus Christian).

The Malta-centric narrative is badly in need of a couple of blows to the stomach. Our political representatives have long feasted on our gullibility within this context and fed us more propagandistic drivel fit for the 20th century. I have once before drawn the opprobrium of die-hard Nationalists by stating that European membership was an inevitable obvious step for this country and we got there in spite of our political establishment and not thanks to any part of it. The PN was lucky enough to have a blind, incompetent adversary who believed (for an incredibly long time) that membership was anathema and thus could step into the shoes of supposed saviours of the nation – much like good old Dom had conned the other half of the nation into believing the Helsien joke a couple of decades before. In a normal, civilised and rational country, we would have been joining the EU without so much as a referendum. The equation was all too clear – out was not an option, it was a disaster.

Yet. Yet. Yet. Even in the most obvious of situations – a no-brainer – a large part of the population had to have the wool lifted from its eyes and had to be dragged unwillingly – nolens volens – along with the rest. Still I find the assertion of Nationalist flag-wavers that “dahhalnikom fl-Ewropa” (we put you into Europe) so pathetically absurd. Little do they know what a great part they had in almost getting us to miss this supposedly most obvious of targets. Sic transit gloria Melitae (Thus passes the glory of Malta).

Mules and asses

The latest “discussion” (should I say dialogue) on censorship and divorce has once again brought out the nolens volens element of Maltese society and of its most honourable representatives. You can imagine one great mass insisting as obstinately as possible on moving against the signs of the times: “because it has always been so”, “because those are our values and traditions”, “because God wants us to be his soldiers” and other such drivel. We are by nature a people who would have been ignored by history but who, through an incredible twist of geopolitical necessity, seem to always end up in the thick of some action or other (and manage to take the credit).

The fundamental right of expression and the civil right of divorce are a bit more complicated than the no-brainer of inevitable membership of a large economic and political union. This time, fate and destiny might not be so willing to lend a helping hand and we risk becoming the victims of our own obstinacy and our conservatism founded on myth. It is time to break the old narratives and rediscover our true likeness in order to better understand where we want to go next. It’s not going to be an easy task.

The tsk-tskers and tut-tutters in Balluta who turned on the bikini-clad lass like a mediaeval crowd of peasants minus the pitchforks exemplify the type of people who will have to be dragged nolens volens into the age of reason. Then there were those who harassed the prankster who had the audacity to pitch a deckchair on the hallowed ground of Saint George’s Square (The Times report claimed that some people hurled insults at him). There’s the huge mass of automatic voters who cancel each other out at the poll every five years, and then there’s plenty more where those came from so it will take more than a coffin ride through Republic Street to swing the balance away from their considerable (voting) clout.

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‘Eppur’ si muove’ (and yet it moves)

Meanwhile, Tonio Fenech’s men have published the Pre-Budget Document and I am using it as my choice bedtime reading for the next week. I’m already horrified by the government’s idea of “creative works” – surely, given the current environment, a statement like “Government is committed to championing the creative economy” is grossly misplaced. There are other interesting insights to be had from this pre-budget document entitled “Ideas, Vision and Discussion” and I’ll have more to say about it next week.

In the meantime, a bit of news from that other intransigent, conservative institution of power. The Vatican has been getting some heat with regard to the radio masts of Radio Vaticana. In response to allegations linking their masts to tumours the Radio responded: ““Il nesso tra tumori e onde elettromagnetiche non è scientificamente dimostrato” (The link between tumours and electromagnetic waves has not been scientifically proven). Scientifically proven? The Vatican? Now if you don’t see the irony in that one, don’t ask me to help you…. I’d hate to have to explain it in (the civil) court.


www.akkuza.com is back at the home away from home. The weather here is miserable, which probably explains the time we have to spare for “Ideas, Vision and Discussion”.

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A Vid for the Road

Till we meet again in Malta here’s another of those vids that are serving as an excuse to fill the blogging vacuum (and which I find extremely funny). Here’s how the Stitching problem could best be solved. (as seen on facebook)